The Crazy Masters

Les Maitres Fous is about the ceremony of a religious sect, the Hauka, which was widespread in West Africa from the 1920s to the 1950s. Hauka participants were usually rural migrants from Niger who came to cities such as Accra in Ghana (then Gold Coast), where they found work as laborers in the city’s lumber yards as stevedores at the

Jaguar

In Jaguar, Damoure, Lam and Illo play the roles of young Africans who, at that time, migrated from the interior during the dry season to the Gold Coast in search of work. Their picuresque and rambling adventures along the way provide the antic story-line of the film. The different episodes of the film were worked out by the actors at

Me, a Black

Moi, Un Noir was Rouch’s first feature length film. Shot in Treichville, a slum/suburb of Abidjan in the Ivory Coast, the film continues many of the themes of earlier work (especially Jaguar and Les Maitres Fous): immigration to the coastal towns, contact of colonizers and colonized, the effects of colonialism and proletarianization. An attempt to “mix fiction with reality,” it