Taiwan

In year 2000, American cellist David Darling came to the far mountains in southern Taiwan. He was stunned when he first heard the pure voices of Bunu children. “That day,” he said,” my cello became silent.” Two years later, he returned to the aborigine village with an unprecedented music plan-using his cello and the Bunu voice to start a music conversation.

This 55-minute documentary follows the footsteps of the cellist and wholly records David’s stay in the Bunu village: the recording process, the interaction with the local and with nature. The director takes an outsider view, honestly displaying the motion among the aborigines, Han people, and western culture. Here, music is the only language. Thanks to music, people of different culture build up a strong friendship. Through the usage of colorful images, clear strong music, and the deep in-holding emotions, the film presents a humble village, a group of harmonious people, and a touching clash of eastern and western music.

A sever earthquake shattered the modest living in this small village in the middle of Taiwan. In order to rebuild their ruined elementary school and transform it into an ecological forest school to fit the natural environment, villagers of Neihu, the small, undeveloped village, stand up to fight their war with the great and advanced National Taiwan University.

Being the number one university of Taiwan, NTU possess tremendous resource and authority from tangible to intangible. The famous Chitou Recreational Area is practically under the reign of NTU. The reasons of forest conservation and geological safety keep NTU from proffering the land to Neihu Elementary School. Especially when the land Neihu Elementary School asks is inside the NTU Experimental Forest.

The problems between the small and the big are revealed. When the authority is challenged, when professional knowledge confronts people’s living, where can the equilibrium to be reached? Can the dream of a school in forest to be realized? An enchanting story unfolds. The dream of the forest is on its journey to be completed.

The word “music” does not exist in the Tao language, however, music and sound are indispensable in the lives of Tao people. The ever-present singing and chanting in Tao society are an integral part of their culture. Their music “does not seek to please the ears. The goal is simply to express every aspect of life through sound.”

With the Tao songs introduced one after another in the documentary, the audience gradually enters the musical world of Orchid Island. After being handed down and renovated by generations and generations, Tao music reflects the social developments over the past hundred years.

Tao rhythm and sound has always been integrated with their lives over the years. The only way to pass this tradition down is through the memory of the elders, along with their own individual creativity. What will the future of Tao music be…

According to Bunun legend, there were once two suns in the sky. The heat was intense, so the people shot down one of the suns. The wounded sun became the moon and fell into the mountains. Because of the pain, it pressed into the earth and created a gully into which its tears flowed.

As a child, Anu Takilulun was told this story by his father. When his father died, he realized that nobody else knew the place were the tears of the moon collected, and that people who had searched had always come back empty handed. In “Tears of the Moon,” Anu follows the directions given by his father to search out the place called Wuhaliton. Whether he actually succeeds is secondary to the journey of discovery in which myth and reality blend.

This film is Taiwan’s first documentary on music contention, recording the members of the “Labor Exchange Band,” returning from the city to Meinung countryside making music. They start caring about peasant and farm village issues after the reservoir debate had declined; their music is also more matured.

Taiwan’s farm youths now are in an embarrassing situation: those to the city for better future miss home; those who came back after the bubble economy went down are being urged away by the elders. These farm youths had to go to south-east Asia for “foreign brides” because of their funny social status. In the film, the foreign brides talk about their feelings of coming to Taiwan; and their album recording process in cooperation with the band members.

Through the musicians, the camera goes into the life of the band in their Meinung hometown, showed them offstage, and the recording process in the deserted tobacco building. How can these five totally different top musicians gather along and play the music? How do they interact? All these images are captured in this film.