As a reachable form of a lost Eden within everyone’s grasp, everybody comes to the Bois de Vincennes to seek refuge in nature. People from all walks of life have the right to be here: rich, poor, French, foreign, gay, straight, alone or accompanied, old-school or hip. The woods are an island surrounded by the towns that encircle it: a mirage dreamed up by a fatigued city-dweller. The difficulty of living in the city is left behind. Here we heal, we play, we have fun, and we dream. Throughout the seasons, this series of exchanges speaks of this utopia that everyone imagines for him or herself.
In a popular neighborhood of Brazzaville, Prince Dethmer, a famous Congolese dancer, has just died. His family organises his burial, inviting all of his artist friends to pay him their final tribute.
In the very waters where Melville’s Pequod gave chase to Moby Dick, Leviathan captures the collaborative clash of man, nature, and machine. Shot on a dozen cameras — tossed and tethered, passed from fisherman to filmmaker — it is a cosmic portrait of one of mankind’s oldest endeavors.