Reassemblage

A reflection on filming in rural Senegal and a critique of the anthropological I/eye. The film “denotes something more than an exceptional spirit of observation; let’s say by all means a kind of amorous enthrallment” — Alberto Moravia, L’Expresso

Surname Viet Given Name Nam

The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.