Announcing the 10th Taiwan International Ethnographic Film Festival (TIEFF)

We are proud to announce the 10th edition of the Taiwan International Ethnographic Film Festival (TIEFF), to be held in Taipei from October 4th to 8th in 2019. Founded in 2001, the biennial festival is Asia’s oldest and longest running international ethnographic film festival. For 18 years TIEFF has served to promote outstanding documentary films from around the world that are innovative, educational, and entertaining. These films, directed by both new and established filmmakers alike, all share a commitment to portraying stories and social practices from around the world in a culturally sensitive way. This year we selected thirty five films out of 1190 submissions (sent in from ninety nine countries). Those films are listed below. Please follow our Facebook page to be notified when the full program is posted to our website at TIEFF.ORG.

This year’s theme

This year’s theme, “Visions of Sovereignty,” explores our relationships with our land, our bodies, and with each other. Moving beyond traditional political-legal notions of the state, “Visions of Sovereignty” is inspired by the work of indigenous activists and scholars who have called into question the idea that sovereign entities are neatly bounded by clearly marked borders, and that everyone within those boundaries is equally beholden to the state. Instead they ask us to look at sovereignty as a process shaped by how we see our world and our unique place within it. Going back to Hobbes the state has long been thought of as a giant person, with the focus on the body’s head, occupied by a king or some other ruler. “Visions of Sovereignty” returns our gaze to the stories of the individual men and women who make up the body of the state, showing how they adapt to, challenge, and sometimes even change the very nature of sovereignty.

This year’s films

This year’s films are grouped into nine topical sections:

● Featured Director: The World

  • Merata : How Mum Decolonized The Screen ⎮ Heperi Mita
  • Bastion Point Day 507 ⎮ Merata Mita, Leon Narbey, Gerd Pohlmann

● Featured Director: Taiwan

  • The Endurance to Become a Real Man ⎮ Uki Bauki
  • The Spirit of Ancestors-Loyalty Palakuwan ⎮ Uki Bauki

● Visions of Sovereignty: Justice and Democracy

  • The Maribor Uprisings: A Live Participatory Film ⎮ Maple Razsa, Milton Guillén
  • Rituals of Resistance ⎮ Tenzin Phuntsog, Joy Dietrich
  • The Good Change Poles Apart ⎮ Konrad Szolajski
  • Last Exit to Kai Tak ⎮ Matthew Torne
  • Tribal Justice ⎮ Anne Makepeace

● Visions of Sovereignty: War and Peace

  • Demons in Paradise ⎮ Jude Ratnam
  • Island Soldier ⎮ Nathan Fitch
  • The New Generation ⎮ Chen Shi

● Visions of Sovereignty: Whose Land is it Anyway?

  • Anote’s Ark ⎮ Matthieu Rytz
  • BE’ JAM BE the never ending song ⎮ Caroline Parietti, Cyprien Ponson Around the Bed of a Dying Collaborator ⎮ Tal – Michael, David Ofek
  • Unsettling ⎮ Iris Zak

● Visions of Sovereignty: Bare Life

  • Notes from CARA ⎮ Filippo Gobbato, Alessia Foraggio, Claudio Selicato, Paolo Rosi, Giacomo Fausti, Sarah Mathon
  • Revenir (To Return) ⎮ David Fedele, Kumut Imesh
  • Pomelo ⎮ Swann DUBUS, TRAN Phuong Thao

● The Importance of Place

  • Oyate ⎮ Dan Girmus
  • Homecoming ⎮ Zeng Hong-zhi
  • Green River. The time of the Yakurunas ⎮ Alvaro Sarmiento, Diego Sarmiento
  • Le Ciel, la Terre et l’Homme ⎮ Caroline Reucker

● Our Bodies, Ourselves

  • Heartbound ⎮ Janus Metz, Sine Plambech
  • Nimble fingers⎮ Parsifal Reparato
  • Our Happy Birth Day ⎮ Chen Yu-Ching, Angel SU

● History/Memory

  • Winter Solstice in the Golden Wing Valley ⎮ Kongshao Zhuang
  • 32 Km, 60 Years ⎮ Laha Mebow
  • I See Red People ⎮ Bojina Panayotova
  • Memory Beings ⎮ Sudha Padmaja Francis
  • Wási ⎮ Sebastián Gómez Ruíz, Amado Villafaña

● Traditions and Rituals

  • Tajen ⎮ Robert Lemelson, Alessandra Pasquino
  • Muakai’s Wedding ⎮ Su Hung-en
  • To No Longuer Die ⎮ Simon Plante
  • The Feather Headdress of Ceroh (Ciopihay) | Fuday Ciyo

【晚安新聞:關鍵評論網】

2017臺灣國際民族誌影展被關鍵評論網評論了

引用如下,

詳文連結:https://www.thenewslens.com/article/78761

隨著世大運的風光落幕,台灣國際民族誌影展將於十月接力露出。影展自111個國家的1,500多部報名影片中,挑選歐美非以及亞洲在內的42部影片,以觀察式、實驗性、反思與感官風格,在世界急速變遷的情狀下,爭取閱眾首選。舉凡金磚五國峰會下的人地關係、日本核災後現況探討,以及台灣焦點導演伊誕.巴瓦瓦隆(Etan Pavavalung)帶領閱眾了解排灣族與阿美族,在不同環境背景孕育下,與眾不同的美學傳統,都將在台灣國際民族誌影展「大展身手」……

影展購票連結

DM電子版連結

影展粉專連結

「原住民族電視台」的現況與展望

台長/馬紹‧阿紀(泰雅族)

■ 亞洲第一個「原住民族電視台」(TITV)

原住民族電視台(TITV)在2004年12月1日正式開台,並在2005年初,進行節目製播與頻道測試。經過半年的暖身和測試期,全亞洲第一個「原住民族電視台」(ch-16),終於在2005年7月1日正式開播,期間經歷「台視文化公司、東森電視台」等商業電視台相繼承攬節目製播標案,建立初步基礎。

■ 公廣集團化後的原住民族電視台

2007年1月,原住民族電視台加入「公共電視廣播集團」(TBS),以建構原住民族公共媒體的平台為目標,並以提供原住民族群「知的權利」為基本原則,在電視平台上做雙向傳播。

■ 對原住民族而言

強調傳統文化價值及族群認同的教育功能、提供充足的現代資訊、建立族人以自信的態度面對現代社會上文化、經濟、政治的快速變化,並展現文化上本質不變、形式可變的可能空間,提升社會競爭力。

■ 對社會大眾而言

提供深刻的原住民族的文化內涵,以深入淺出的節目製作理念,轉化成輕鬆有趣或深化嚴謹的節目型態,引導社會大眾對原住民族正確的認知及尊重。進而釋出更多的資源,達成社會對原住民族整體地位的平等對待。

■ 原住民族電視台現況

預算:3.5億(由行政院原住民族委員會編列)

員工編制:110人,(原住民籍93人,非原住民籍17人)

組織編制:行政室、新聞部、節目部、行銷企劃部

節目首播時數:9 hr./day。(新聞5hr.,節目4hr.)

■ 原住民族電視台的展望

一、原住民族電視台的「使命」

保障原住民媒體近用權,以文化保存、傳承、宣揚為目標。

建立媒體資源網路,落實部落服務。

拓展國際原住民媒體、文化交流。

二、原住民族電視台「願景」

貼近部落,傾聽部落族人的聲音。

拓展擁有全球部落的宏觀視野,成為原住民族喜愛與信賴的公共媒體。

三、【原住民族電視台】總體目標

1.成為原住民族喜愛與信賴的公共媒體

2.致力與國際原住民間的媒體、文化交流

3.建立媒體資源網路,落實部落服務

4.保障原住民族媒體近用權